Bibliography
Bibliography
Books, articles and editions refered to on this site by abbreviations
| Adler & Koller 1900 | Guido Adler & Oswald Koller (eds.), Sechs Trienter Codices. Erster Auswahl. Thematischer Katalog. (Denkmäler der Tonkunst in Österreich 14-15) Wien (Österreichischer Bundesverlag) 1900 (repr. 1959) |
| Agricola 1970 | Alexander Agricola (E. Lerner, ed.), Opera omnia I-VI (Corpus mensurabilis musicae 22) 1961-1970 |
| AH49 1906 | Clemens Blume & Clames M. Dreves, Tropi graduales. Tropen des Missale. Mittelalter. Zweite Folge (Analecta hymnica medii aevi 49). Leipzig 1906 |
| Alden 1999 | Jane Alden, Makers of a Songbook: The Scribes of the Laborde Chansonnier (Ph.d.-diss., Univ. of North Carolina) 1999 |
| Alden 2001 | Jane Alden (ed.), Johannes Delahaye. Chansons in Loire Valley Sources. Paris 2001 |
| Alden 2005a | Jane Alden, ‘The Scribe’s Role in the Production of 15th-Century Chansonniers: New Perspectives’, Revue belge de Musicologie LIX (2005) pp. 43-64 |
| Alden 2005b | Jane Alden, ‘On the Aesthetics of 15th-Century Chansonniers’, Danish Yearbook of Musicology 33 (2005) pp. 17-30 |
| Alden 2007 | Jane Alden, ‘Reading the Loire Valley Chansonniers’, Acta Musicologica 79 (2007) pp. 1-32 |
| Alden 2008 | Jane Alden, ‘Excavating Chansonniers: Musical Archaeology and the Search for Popular Song’, The Journal of Musicology 25 (2008) pp. 46–87 |
| Alden 2010 | Jane Alden, Songs, Scribes, and Society. The History and Reception of the Loire Valley Chansonniers. New York (Oxford UP) 2010 |
| Alden 2011 | Jane Alden, ‘Ung Petit cadeau: Verbal and Visual Play in the Wolfenbüttel Chansonnier’, in Fabrice Fitch and Jacobijn Kiel (eds.), Essays on Renaissance Music in Honour of David Fallows: “Bon jour, bon mois et bonne estrenne”, Woodbridge 2011, pp. 33-43 |
| Alden 2015 | Jane Alden & David Fiala, ‘Dialogus de Johanne Sohier alias Fede’ in Anna Zayaruznaya, Bonnie J. Blackburn, Stanley Boorman (eds.), Qui musicam in se habet. Studies in Honor of Alejandro Enricque Planchart, American Institute of Musicology (A-R Editions) 2015, pp. 257-284 |
| Alden 2015b | Jane Alden, ‘Anachrony and Identity in the Loire Valley Chansonniers’, Journal of the Alamire Foundation 2015, pp. 33-46 |
| Alden 2024 | Jane Alden, ‘Formes of Intimacy: Miniaturisation and Sociability in the Fifteenth-Century Chansonnier’ in Vincenzo Borghetti and Alexandros Maria Hatzikiriakos (eds.), The Media of Secular Music in the Medieval and Early Modern Period (1110–1650). Turnhout 2024, pp. 116-138 |
| Ameln 1972 | Konrad Ameln (ed.), Lochamer-Liederbuch und Das Fundamentum organisandi von Conrad Paumann, Faksimile-Nachdruck, Kassel 1972 |
| Atlas 1976 | Allan W. Atlas, The Cappella Giulia Chansonnier. Roma, Biblioteca Apostolica Vaticana, C.G.XIII.27 (Musicological Studies Vol. XXVII/1-2), New York 1975-76 |
| Auguis 1824 | P.R. Auguis (ed.), Bibliothéque choisie des poètes françois jusq’à Malherbe. Tome II. Paris 1824 |
| Bancel 1875 | E.M. Bancel, Cent quarante-cinq rondeaux d'amours publiés d'aprés un manuscrit autographe de la fin du XVe siècle. Paris s.d. [1875] |
| Barbireau 1954 | Jean Barbireau (Bernhard Meier, ed.), Opera Omnia I-II (Corpus mensurabilis musicae 7), AIM 1954-1957 |
| Barret 1981 | Charles Edward Barret, A Critical Edition of the Dijon Chansonnier: Dijon, Bibliothèque de la Ville, Ms. 517 (unpublished Ph.D. diss., George Peabody College for Teachers of Vanderbilt University) 1981 |
| Baxter 1931 | J.H. Baxter (ed.), An Old St. Andrews Music Book (Cod. Helmst. 628). Published in Facsimile, London 1931 |
| Becherini 1950 | Bianca Becherini, ‘Autori minori nel codice fiorentino Magl.XIX.176’, Revue Belge de Musicologie IV (1950), pp. 19-31 |
| Becherini 1959 | Bianca Becherini, Catalogo dei Manoscritti Musicali delle Biblioteca Nazionale di Firenze. Kassel 1959 |
| Bent 1972 | Margaret Bent, ‘Musica Recta and Musica Ficta’, Musica Discplina 26 (1972), pp. 73-100 |
| Bent 2001 | Margaret Bent, ‘On False Concords in Late Fifteenth-Century Music: Yet Another Look at Tinctoris’ in A.-E. Ceulemans & B. J. Blackburn (eds.), Théorie et analyse musicales 1450-1650. Louvain-la-Neuve 2001, pp. 65-118 |
| Bent 2002 | Margaret Bent, Counterpoint, Composition, and Musica Ficta, New York 2002 |
| Bent 2008 | Bologna Q15. The Making and Remaking of a Musical Manuscript. Introductory Study and Facsimile Edition by Margaret Bent, Lucca 2008 |
| Benthem 1997 | Jaap van Benthem, ‘‘Prenez sur moy vostre exemple’. Signae, text and cadences in Ockeghem’s Prenez sur moy and Missa Cuiusvis toni’, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 47 (1997), pp. 99–118 |
| Benthem 2001 | Jaap van Benthem, ‘La magie des cris trenchanz : Comment le vray trésorier de musique échappe à la trappe du très terrible satrappe’ in Anne-Emmanuelle Ceulemans & Bonnie J. Blackburn (eds.), Théorie et analyse musicales 1450-1650. Actes du colloque international Louvain-la-Neuve, 23-25 septembre 1999. Louvain-la-Neuve 2001, pp. 119-147 |
| Berger 1987 | Karol Berger, Musica ficta. Theories of Accidental Inflections in Vocal Polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge 1987 |
| Berger 1993 | Anna Maria Busse Berger, Mensuration and Proportion Signs. Origins and Evolution. Oxford 1993 |
| Binchois 1957 | Gilles Binchois (Wolfgang Rehm, ed.), Die Chansons von Gilles Binchois (1400-1460) (Musikalische Denkmäler II), Mainz 1957 |
| Binchois 1992 | Gilles Binchois (Philip Kaye, ed.), The sacred music of Gilles Binchois, Oxford 1992 |
| Blachly 1999 | Alexander Blachly, ‘Reading Tinctoris for Guidance of Tempo’ in Paula Higgins (ed.), Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music. Oxford 1999, pp. 399-427 |
| Bloxam 2006 | M. Jennifer Bloxam, ‘»I have never seen your equal«: Agricola, the Virgin, and the Creed’, Early Music 44 (2006) pp. 391-407 |
| Bloxam 2009 | M. Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens (eds.), Uno gentile et subtile ingenio. Studies in Renaissance Music in Honour of Bonnie J. Blackburn. CESR Tours 2009 |
| Bockholdt 1971 | R. Bockholdt, ‘Französische und niederländische Musik des 14. und 15. Jahrhunderts’ in T.G. Georgiades (ed.), Musikalische Edition im Wandel des historischen Bewusstseins, Kassel 1971, pp. 149-173 |
| Borghetti 2012 | Vincenzo Borghetti, ‘Fors seulement l’actente que je meure: Ockeghem’s rondeau and the gendered rhetoric of grief’, Early Music History 31 (2012), pp. 37-85 |
| Brown 1963 | Howard Mayer Brown, Music in the French Secular Theater. 1400-1550. Cam. Mass. 1963 |
| Brown 1982 | Howard Mayer Brown, ‘Emulation, Competition and Homage: Imitation and Theories of Imitation in the Renaissance’, Journal of the American Musicological Society 1982, pp. 1-48 |
| Brown 1983 | Howard Mayer Brown, A Florentine Chansonnier from the Time of Lorenzo the Magnificient. Florence, Biblioteca Nazionale Centrale MS Banco Rari 229 (Monuments of Renaissance Music VII) Chicago 1983 |
| Brown 1983b | Howard Mayer Brown, ‘A "New" Chansonnier of the Early Sixteenth Century in the University Library of Uppsala: A Preliminary Report’, Musica Disciplina 37 (1983) pp. 171-233. |
| Brown 1987 | Howard Mayer Brown (ed.), Uppsala, Universitetsbiblioteket, Vokalmusik i handskrift 76a, introduction by Howard Mayer Brown (Renaissance Music in Facsimile. Sources Central to the Music of the Late Fifteenth and Sixteenth Centuries, 19), New York (Garland) 1987 |
| Burn 2017 | David J. Burn, ‘The Leuven Chansonnier : A New Source for Mid Fifteenth-Century Franco-Flemish Polyphonic Song’, Journal of the Alamire Foundation 9 (2017), pp. 135-158 |
| Burn 2017a | David J. Burn, Leuven Chansonnier. Facsimile & Study/Studie (Leuven Library of Music in Facsimile, vol. 1), Leuven 2017 |
| Bush 1940 | Helen E. Bush, ‘The Laborde Chansonnier’, Papers of the American Musicological Society 1940 (1946), pp. 56-79 |
| Busnoys 1990 | Antoine Busnoys (Richard Taruskin ed.), Collected Works, Parts 2-3: Latin-texted works (Masters and Monuments of the Renaissance 5) New York 1990 |
| Busnoys 2018 | Antoine Busnoys (Leeman L. Perkins ed.), Collected Works, Parts 1A-1B: Works with texts in the vernacular (Masters and Monuments of the Renaissance 5) New York 2018 |
| Calvez 1982 | Daniel Calvez, ‘La Structure du rondeau: mise au point’, The French Review 55 (1982), pp. 461-470 |
| Caron 1974 | J. Thomson (ed.), Les Œvres complètes de Philippe(?) Caron 1-2. {Collected Works Vol. VI/1-2) New York 1974-76 |
| Carpentras 1972 | Elzéar Genet (Carpentras), Opera omnia 1-5 (ed. A. Seay; Corpus mensurabilis musicae 58) AIM 1972 |
| Champion 1907 | Pierre Champion, ‘Pièces joyeuses du xve siècle’, Revue de philologie française et de littérature 21 (1907), pp. 161-196 |
| Chesney 1965 | K. Chesney, More 'poèmes de transition'. Notes on the Rondeaux of a Taylorian Manuscript (Medium Aevi Monographs VIII) Oxford 1965 |
| Christoffersen 1994 | P. Woetmann Christoffersen, French Music in the Early Sixteenth Century. Studies in the music collection of a copyist of Lyons. The manuscript Ny kgl. Samling 1848 2° in the Royal Library, Copenhagen I-III. Copenhagen 1994 |
| Christoffersen 2001 | P. Woetmann Christoffersen, ‘Æslets skryden og sang gennem tårer. Billeder i musik i 1400-tallets populære og kunstfulde traditioner’, Musik & Forskning 26 (2001), pp. 97-134 |
| Christoffersen 2009 | Peter Woetmann Christoffersen, ‘Prenez sur moi vostre exemple: The ‘clefless’ notation or the use of fa-clefs in chansons of the fifteenth century by Binchois, Barbingant, Ockeghem and Josquin’, Danish Yearbook of Musicology 37 (2009), pp. 13-38 |
| Christoffersen 2011a | Peter Woetmann Christoffersen, The Complete Works of Gilles Mureau (c1442-1512) – poet-musician of Chartres |
| Christoffersen 2011b | Peter Woetmann Christoffersen, ‘The restoration of Antoine Busnoys’ four-part Flemish song “In mijnen sijn”: An experiment in sound, imitation technique, and the setting of a popular tune’, Danish Musicology Online, Vol. 2 (2011), pp. 21-51 |
| Christoffersen 2012 | Peter Woetmann Christoffersen, ‘The French musical manuscript in Florence, Biblioteca Riccardiana, Ms. 2794, and the ‘Loire Valley’ chansonniers’ |
| Christoffersen 2013a | Peter Woetmann Christoffersen, ‘The chansons of Basiron’s youth and the dating of the ‘Loire Valley’ chansonniers’ |
| Christoffersen 2013b | Peter Woetmann Christoffersen, ‘The music of Jean Sohier dit Fede: Comments and edition’ |
| Christoffersen 2024 | Peter Woetmann Christoffersen, The unica of the Leuven chansonnier – a portfolio of songs by an ambitious young musician. With an edition of the twelve unique songs (August 2024). PDF. |
| Compere 1972 | Loyset Compère (L. Finscher ed.), Opera omnia 1-5 (Corpus mensurabilis musicae 15) AIM 1958-1972. |
| D’Accone 1986 | Frank A. D’Accone (ed.), Pavia, Biblioteca Universitaria, Aldini MS 362, (Renaissance Music in Facsimile 16), New York 1986 |
| Dahlhaus 1960 | Carl Dahlhaus, ‘Ockeghems »Fuga trium vocum«’, Die Musikforschung 13 (1960), pp. 307-310 |
| Dahlhaus 1964 | Carl Dahlhaus, ‘Zu einer Chanson von Binchois’, Die Musikforschung 17 (1964), pp. 398-399 |
| Dean 1996 | Jeffrey Dean, ‘Okeghem’s attitude towards modality: Three-mode and eight-mode typologies’, in Ursula Günther, Ludwig Finscher, and Jeffrey Dean (eds.), Modality in the music of the fourteenth and fifteenth centuries. Modalität in der Musik des 14. und 15. Jahrhunderts (Musicological studies & documents, 49), Neuhausen-Stuttgart 1996, 203–246 |
| Droz 1910 | E. Droz et A. Piaget (eds.), Le Jardin de Plaisance et Fleur de Rhétorique. Reproduction en facsimile de l'édition publiée par Antoine Verard vers 1501. Paris 1910-24 |
| Droz 1924 | E. Droz et G. Thibault, Poètes et musiciens de xve siècle. Paris 1924 |
| Droz 1927 | E. Droz, G. Thibault et Y. Rokseth, Trois Chansonniers Français du xve siècle. Paris 1927 |
| Droz 1935 | E. Droz (ed.), Le Recueil Trepperel. Paris 1935 |
| Dufay 1966 | Guillaume Dufay (ed. H. Besseler), Opera omnia VI: Cantiones (Corpus mensurabilis musicae 1) 1966 |
| Dufay 1995 | Guillaume Dufay (ed. H. Besseler, rev. D. Fallows), Opera omnia VI – Cantiones (Corpus mensurabilis musicae 1) 1995 [2006/2] |
| Dumitrescu 2012 | Theodor Dumitrescu, ‘Who Was “Prioris”? A Royal Composer Recovered’, Journal of the American Musicological Society 65 (2012), pp. 5-66 |
| Dunstable 1953 | John Dunstable (ed.: Manfred Bukofzer), Complete Works (Musica Britannica VII), London 1953 |
| Fallows 1984 | David Fallows, ‘Johannes Ockeghem. The changing image, the songs and a new source’, Early Music 1984, pp. 218-230 |
| Fallows 1987 | David Fallows, Dufay (The Master Musicians), London 1982 (2. rev. ed. 1987) |
| Fallows 1992 | David Fallows, ‘Prenez sur moy: Ockeghem’s tonal pun’, Plainsong and Medieval Music 1 (1992), pp. 63-75 |
| Fallows 1992b | David Fallows, ‘I fogli parigi del “Concionero Musical” e del Manoscritto teorico della Biblioteca Colombina’, Rivista italiana di musicologica 27 (1992), pp. 25-40 |
| Fallows 1994 | David Fallows, ‘Dunstable, Bedyngham and O rosa bella’, The Journal of Musicology 12 (1994), pp. 287-305 |
| Fallows 1995 | David Fallows, The Songs of Guillaume Dufay. Critical Commentary to the Revision of Corpus Mensurabilis Musicae, ser. 1, Vol. VI (Musicological studies & documents 47), Neuhausen-Stuttgart 1995 |
| Fallows 1995a | David Fallows (ed.), Oxford, Bodleian Library, MS. Canon. Misc. 213. With an Introduction and Inventory. Chicago 1995 |
| Fallows 1999 | David Fallows, A Catalogue of Polyphonic Songs, 1415-1480. Oxford 1999 |
| Fallows 1999b | David Fallows, ‘‘Trained and immersed in all musical delights’: Towards a New Picture of Busnoys’ in Paula Higgins (ed.), Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music. Oxford 1999, pp. 21-50 |
| Fallows 2000 | David Fallows, ‘Binchois and the Poets’, in Andrew Kirkman & Dennis Slavin (eds.), Binchois Studies. Oxford 2000, pp. 199-219 |
| Fallows 2009 | David Fallows, Josquin. Turnhout 2009 |
| Fallows 2021 | David Fallows, ‘The Chronology of the Central Chansonniers’, Journal of the Alamire Foundation 13 (2021), pp. 53-63 |
| Fétis 1869 | François-Joseph Fétis, Histoire générale de la musique. Paris 1869-1876 |
| Finscher & Dömling 1975 | L. Finscher und W. Dömling (eds.), Der Mensuralkodex des Nikolaus Apel (Ms. 1494 der Universitätsbibliothek Leipzig). Teil III. (Das Erbe deutscher Musik, Bd. 34) Kassel 1975 |
| Fitch 1997 | Fabrice Fitch, Johannes Ockeghem: Masses and Models. Paris 1997 |
| Fitch 2001 | Fabrice Fitch, ‘Restoring Ockeghem’s Mort, tu as navré’, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 51 (2001), pp. 3-24 |
| Fitch 2020 | Fabrice Fitch, ‘Spotlight on a Newly Recovered Song: The Anonymous Virelai Si vous voullez que je vous ame from the Leuven Chansonnier’, Journal of the Alamire Foundation 12 (2020), pp. 217-230 |
| Françon 1934 | Marcel Françon (ed.), Albums poétiques de Marguerite d'Autriche. Paris & Cam. Mass. 1934 |
| Françon 1938 | Marcel Françon (ed.), Poèmes de transition (xve-xvie siècles): Rondeaux du Ms 402 de Lille. Paris & Cam. Mass. 1938 |
| Fresnau 2004 | Jean Fresnau (O. Carrillo & A. Magro, eds.), Messe et chansons. Turnhout 2004 |
| Frye 1960 | Walter Frye (ed. Sylvia W. Kenney), Collected Works (Corpus mensurabilis musicae 19), AIM 1960 |
| Gancarczyk 2014 | Paweł Gancarczyk, ‘The former ‘Glogauer Liederbuch’ and early partbooks. On the origin and function of a new type of musical codex’, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 44 (2014), pp. 30-46 |
| Geering 1967 | Arnold Geering & M. Trümphy (eds.), Das Liederbuch des Johannes Heer. Ein Musikheft aus der Zeit des Humanismus (Codex 462 der Stiftsbibliothek St.Gallen). (Schweizerische Musikdenkmäler V), Basel 1967 |
| Ghiselin 1961 | Johannes Ghiselin-Verbonnet (Clytus Gottwald ed.), Opera omnia I-IV (Corpus mensurabilis musicae 23), AIM 1961-1968 |
| Gilbert 2020 | Adam Knight Gilbert, ‘Songs that Know Each Other in the Leuven Chansonnier’. Journal of the Alamire Foundation 12 (2020), pp. 231-261 |
| Goldberg 1992 | Clemens Goldberg, Die Chansons Johannes Ockeghems. Ästhetik des musikalischen Raumes (Neue Heidelberger Studien zur Musikwissenschaft, Bd. 19) Laaber 1992 |
| Goldberg 1994 | Clemens Goldberg, Die Chansons von Antoine Busnois. Die Ästhetik der höfischen Chansons (Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart, Bd. 32) Frankfurt am Main 1994 |
| Goldberg 1997 | Clemens Goldberg, Das Chansonnier Laborde: Studien zur Intertextualität einer Liederhandschrift des 15. Jahrhunderts (Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart. Bd. 36) Frankfurt am Main 1997 |
| Gombosi 1925 | Otto Gombosi, Jacob Obrecht, eine stilkritische Studie (Sammlung Musikwissenschaftliche Einzeldarstellungen 4) Leipzig 1925 |
| Gutiérrez-Denhoff 1984 | Martella Gutiérrez-Denhoff, ‘Untersuchungen zu Gestalt, Entstehung und Repertoire des Chansonniers Laborde’, Archiv für Musikwissenschaft 41 (1984) pp. 113-146 |
| Gutiérrez-Denhoff 1985 | Martella Gutiérrez-Denhoff, Der Wolfenbütteler Chansonnier. Wolfenbüttel, Herzog August Bibliothek, Codex Guelf. 287 Extrav. Untersuchungen zu Repertoire und Überlieferung einer Musikhandschrift des 15. Jahrhunderts und ihres Umkreises. (Wolfenbütteler Forschungen 29) Wiesbaden 1985 |
| Gutiérrez-Denhoff 1988 | Martella Gutiérrez-Denhoff (ed.), Der Wolfenbütteler Chansonnier. Herzog August Bibliothek, Wolfenbüttel, Codex Guelf. 287 Extrav. (Musikalischer Denkmäler X), Mainz 1988 |
| Haar & Nádas 2008 | James Haar and John Nádas, ‘The Medici, the Signoria, the pope: sacred polyphony in Florence, 1432-1448’, Recercare 20 (2008), pp. 25-93 |
| Hanen 1983 | Martha K. Hanen, The Chansonnier El Escorial IV.a.24 (Nusicological Studies 36), Henryville 1983 |
| Harris 2021 | Sigrid Harris, ‘Fortune and Injustice in the Leuven Chansonnier’, Journal of the Alamire Foundation 13 (2021), pp. 33-52 |
| Hayne 1977 | Hayne van Ghizeghem (ed. B. Hudson), Opera omnia (Corpus mensurabilis musicae 74) 1977. |
| Hewitt 1942 | H. Hewitt & I. Pope (eds.), Harmonice Musices Odhecaton A. Cam. Mass. 1942 |
| Higgins 1984 | Paula Higgins (ed.), Chansonnier Nivelle de la Chaussée (Bibliothèque Nationale, Paris, Rés. Vmc. ms. 57, ca. 1460), Genève 1984 |
| Higgins 1987 | Paula Higgins, Antoine Busnois and Musical Culture in Late Fifteenth-Century France and Burgundy (Diss. Princeton) 1987 |
| Higgins 1990 | Paula Higgins, ‘Tracing the Careers of Late Medieval Composers. The Case of Philippe Basiron of Bourges’, Acta musicologica 62 (1990) pp. 1-28 |
| Higgins 1990b | Paula Higgins, ‘Music and Musicians at the Sainte-Chapelle of the Bourges Palace, 1405-1515’ in A. Pompilio et al. (eds), Atti del XIV Congresso della Società Internazionale di Musicologia I-III (IMS Bologna 1987), Torino 1990, Vol. III, pp. 689-701 |
| Higgins 1991 | Paula Higgins, ‘Parisian Nobles, a Scottish Princess, and the Woman’s Voice in Late Medieval Song’, Early Music History 10 (1991) pp. 145-200 |
| Higgins 2009 | Paula Higgins, ‘Speaking of the Devil and Discipuli: Eloy d’Amerval, Saint-Martin of Tours, and Music in the Loire Valley, ca. 1465-1505’ in M. Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens (eds.), Uno gentile et subtile ingenio. Studies in Renaissance Music in Honour of Bonnie J. Blackburn. CESR Tours (Brepols) 2009, pp. 169-182 |
| Isaac 1907 | Heinrich Isaac (J. Wolf ed.), Weltliche Werke (Denkmäler der Tonkunst in Osterreich 28) Wien 1907 |
| Jeffery 1971 | Brian Jeffery, Chanson Verse of the Early Renaissance I-II. London 1971-76 |
| Jeppesen 1927 | Knud Jeppesen (ed.), Der Kopenhagener Chansonnier. Copenhagen 1927 (21965 New York, with new remarks) |
| Jeppesen 1968 | Knud Jeppesen, La Frottola I-III. Copenhagen 1968-70 |
| Jones 1972 | George Morton Jones, The “First” Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing of 15th Century Music. PhD-dissertation, New York University 1972 |
| Kemp 1990 | Walter H. Kemp, Burgundian Court Song in the Time of Binchois. The Anonymous Chansons of El Escorial, MS V.III.24. Oxford 1990 |
| Kenney 1955 | Sylvia W. Kenney, ‘Contrafacta in the Works of Walter Frye’, Journal of the American Musicological Society 8 (1955), pp. 182-202 |
| Kolb 2020 | Paul Kolb, ‘Anacruses and Opening Rests in the Leuven Chansonnier’. Journal of the Alamire Foundation 12 (2020), pp. 262-277 |
| Langlois 1902 | M.E. Langlois (ed.), Recueil d’Arts de Seconde Rhétorique. Paris 1902 |
| Lederer 1906 | Victor Lederer, Über Heimat und Ursprung der mehrstimmigen Tonkunst. Leipzig 1906 |
| Levitan 1937 | Joseph S. Levitan, ‘Ockeghem’s Clefless Compositions’, The Musical Quarterly 23 (1937), pp. 440-464 |
| Litterick 1976 | Louise Litterick, The Manuscript Royal 20.A.XVI of The British Library. PhD-dissertation, New York University 1976 |
| Litterick 1980 | Louise Litterick, ‘Performing Franco-Nederlandish secular music of the late 15th century’, Early Music 1980 pp. 474-85 |
| Löpelmann 1923 | M. Löpelmann (ed.), Die Liederhandschrift des Cardinals de Rohan (Gesellschaft für romanische Litteratur, Band 44) Göttingen 1923 |
| Lowinsky 1945 | Edward E. Lowinsky, ‘The Function of Conflicting Signatures in Early Polyphonic Music’, The Musical Quarterly 31 (1945) pp. 227-260 |
| Lowinsky 1964 | Edward E. Lowinsky, ‘Foreword’ in H. Colin Slim (ed.), Musica nova accommodata per cantar et sonar sopra organi; et altri strumenti, composta per diversi eccellentissimi musici. In Venetia, MDXL (Monuments of Renaissance Music I), Chicago 1964, pp. v-xxi |
| Lowinsky 1968 | E.E. Lowinsky (ed.), The Medici Codex of 1518 I-III (Monuments of Renaissance Music III-V), Chicago 1968 |
| LU | Liber Usualis. Tournai 1947 |
| Maniates 1966 | Maria R. Maniates, ‘Mannerist Composition in Franco-Flemish Polyphony’, The Musical Quarterly 1966, pp. 17-36 |
| Maniates 1970 | Maria R. Maniates, ‘Combinative Chansons in the Dijon Chansonnier’, Journal of the American Musicological Society 23 (1970), pp. 228-281 |
| Maniates 1989 | Maria R. Maniates (ed.), The Combinative Chanson: An Anthology (Recent Researches in the Music of the Renaissance 77), Madison 1989 |
| Marx 1992 | Hans Joachim Marx & Thomas Warburton (eds.), St. Galler Orgelbuch: Die Orgeltabulatur des Fridolin Sicher (St. Gallen, Codex 530). (Schwieizerische Musikdenkmäler 8), Winterthur 1992 |
| McLeod 1969 | Enid McLeod, Charles of Orleans. Prince and Poet. New York 1969 |
| Meconi 1994 | Honey Meconi, ‘Art-Song Reworkings: An Overview’, Journal of the Royal Musical Association 119 (1994), pp. 1-42 |
| Meconi 2021 | Honey Meconi, ‘Text and Context in the Leuven Chansonnier’, Journal of the Alamire Foundation 13 (2021), pp. 12-32 |
| Memelsdorff 2006 | Pedro Memelsdorff, ‘John Hothby, Lorenzo il Magnifico e Robert Morton in una nuova fonte manoscritta a Mantova’, Acta Musicologica 78 (2006) pp. 1-32 |
| Mengozzi 2008 | Stefano Mengozzi, ‘‘Clefless’ notation, counterpoint and the fa-degree’, Early Music 36 (2008), pp. 51-64 |
| Miyazaki 1985 | Haruyo Miyazaki, ‘New light on Ockeghem’s Missa ‘Mi-mi’’, Early Music 1985 pp. 367-375 |
| Mone 1855 | F.J. Mone, Lateinische Hymnen des Mittelalters I-III. Breisgau 1853-55 |
| Morelot 1856 | Stéphen Morelot, De la musique au XVe siècle: notice sur un manuscrit de musique ancienne de la bibliothèque de Dijon. Paris 1856. |
| Morton 1981 | Robert Morton (ed. A. Atlas), The Collected Works (Masters and Monuments of the Renaissance 2) New York 1981 |
| Nagy 2009 | Debra Nagy, ‘Scratched-out Notes, Erased Pieces, and other Lacunae in the Chansonnier Nivelle de la Chaussée’, Notes 2009, pp. 7-35 |
| Obrecht 1983 | J. Obrecht (ed. Chris Maas), New Obrecht Edition. Utrecht 1983-1999 |
| Ockeghem 1959 | J. Ockeghem (ed. Dragan Plamenac), Collected Works I-II. New York (AMS) 1959-1966 |
| Ockeghem 1992 | J. Ockeghem (ed. Richard Wexler with Dragan Plamenac), Collected Works III: Motets and Chansons. Philadelphia (AMS) 1992 |
| Ockeghem 1996a | Johannes Ockeghem (ed. Jaap van Benthem), Missa Cuiusvis toni upon re and mi (Masses and Mass Sections, fascicle III,3), Utrecht 1996 |
| Ockeghem 1996b | Johannes Ockeghem (ed. Jaap ven Benthem), Missa Cuiusvis toni upon fa-ut. Missa Prolacionum (Masses and Mass Sections, fascicle III,4), Utrecht 1996 |
| Ockeghem 1998 | Johannes Ockeghem (ed. Jaap ven Benthem), Kyrie Gloria Credo super Fors seullement l’atente (Masses and Mass Sections, fascicle II,4), Utrecht 1998 |
| Ockeghem 1998b | Johannes Ockeghem (ed. Jaap ven Benthem and Gayle Kirkwood), Missa My my (Masses and Mass Sections, fascicle III,2), Utrecht 1998 |
| Ockeghem 2002 | Johannes Ockeghem (ed. Jaap van Benthem), Missa Au travail suis. Kyrie and Gloria super Ma maistresse (Masses and Mass Sections fascicle II,3), Utrecht 2002 |
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