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Related sources
   Copenhagen
   Dijon
   Laborde
   Leuven
   Nivelle
   Wolfenbüttel

Other sources
   Music
   Text

Compositions
   
by first line
   by composer

Bibliography

Abbreviations

Papers and notes

General Index of music editions
   
by first line
   by composer

 

Editions and papers
on this site:

Complete Works of Gilles Mureau

Amiens MS 162 D

Sacred music of the 15th century

Uppsala MS 76a

Homepage
Peter Woetmann Christoffersen


Papers on

Basiron’s chansons
Busnoys & scibes PDF
Caulaincourt
Chansons in Fa-clefs
Chansoner på nettet
Fede, Works
Dulot’s Ave Maria
Open access 15th c.
MS Florence 2794

 

 
Abbreviations used on this site:

2v, 3v, 4v = number of voices in a composition
[3v] = number of voices in concordant source(s)

S = Superius
T = Tenor
C = Contratenor
CA = Contratenor altus
CB = Contratenor bassus

f./ff. = folio/folios
v = verso (e.g. f. 1v = folio 1 verso)
p./pp. = page/pages
b./bb. = bar/bars (e.g. b. 2.3 = bar 2, (position of the) 3. semibrevis)

mx = maxima
lo = longa
br = brevis
sbr = semibrevis
mi = minina
smi = seminiminima
fu = fusa

br·; sbr·; etc. = dotted notes

C, D, E. F, etc. = pitch class
C, D, E ... c, d, e ... c', d', e' ... c", d", e" ... = pitch
C1, C2, F3, F4, G2 etc. = standard clefs on staff lines numbered from the bottom line and up.

Fa-clefs:
   fa1(-5) = a fa-sign or a flat on one of the five staff-lines
   fas1(-5) = a fa-sign in one the spaces of the staff
   mi1(-5) = mi-sign or sharp/natural placed in the same way

[name (/ name)] = composer attribution(s) in concordant source(s)
[Anonymous] = found without composer attribution in concordant source(s)

See further ‘Bibliography’ and ‘List of sigla for other sources’