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Bibliography
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Bibliography

Books, articles and editions refered to on this site by abbreviations

Agricola 1970 Alexander Agricola (E. Lerner, ed.), Opera omnia I-VI (Corpus mensurabilis musicae 22) 1961-1970
Alden 1999 Jane Alden, Makers of a Songbook: The Scribes of the Laborde Chansonnier (Ph.d.-diss., Univ. of North Carolina) 1999
Alden 2001 Jane Alden (ed.), Johannes Delahaye. Chansons in Loire Valley Sources. Paris 2001
Alden 2005a Jane Alden, ‘The Scribe’s Role in the Production of 15th-Century Chansonniers: New Perspectives’, Revue belge de Musicologie LIX (2005) pp. 43-64
Alden 2005b Jane Alden, ‘On the Aesthetics of 15th-Century Chansonniers’, Danish Yearbook of Musicology 33 (2005) pp. 17-30
Alden 2007 Jane Alden, ‘Reading the Loire Valley Chansonniers’, Acta Musicologica 79 (2007) pp. 1-32
Alden 2008 Jane Alden, ‘Excavating Chansonniers: Musical Archaeology and the Search for Popular Song’, The Journal of Musicology 25 (2008) pp. 46–87
Atlas 1976 Allan W Atlas, The Cappella Giulia Chansonnier. Roma, Biblioteca Apostolica Vaticana, C.G.XIII.27 (Musicological Studies Vol. XXVII/1-2), New York 1975-76
Bancel 1875 E.M. Bancel, Cent quarante-cinq rondeaux d'amours publiés d'aprés un manuscrit autographe de la fin du XVe siècle. Paris s.d. [1875]
Barbireau 1954 Jean Barbireau (Bernhard Meier, ed.), Opera Omnia I-II (Corpus mensurabilis musicae 7), AIM 1954-1957
Barret 1981 Charles Edward Barret: A Critical Edition af the Dijon Chansonnier: Dijon, Bibliothèque de la Ville, Ms. 517 (unpublished Ph.D. diss., George Peabody College for Teachers of Vanderbilt University) 1981
Bent 2001 Margaret Bent, ‘On False Concords in Late Fifteenth-Century Music: Yet Another Look at Tinctoris’ in A.-E. Ceulemans & B. J. Blackburn (eds.), Théorie et analyse musicales 1450-1650. Louvain-la-Neuve 2001, pp. 65-118
Berger 1987 Karol Berger, Musica ficta. Theories of Accidental Inflections in Vocal Polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge 1987
Berger 1993 Anna Maria Busse Berger, Mensuration and Proportion Signs. Origins and Evolution. Oxford 1993
Binchois 1957 Gilles Binchois (Wolfgang Rehm, ed.), Die Chansons von Gilles Binchois (1400-1460) (Musikalische Denkmäler II), Mainz 1957
Blachly 1999 Alexander Blachly, ‘Reading Tinctoris for Guidance of Tempo’ in Paula Higgins (ed.), Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music. Oxford 1999, pp. 399-427
Brown 1963 Howard Mayer Brown, Music in the French Secular Theater. 1400-1550. Cam. Mass. 1963
Brown 1983 Howard Mayer Brown, A Florentine Chansonnier from the Time of Lorenzo the Magnificient. Florence, Biblioteca Nazionale Centrale MS Banco Rari 229 (Monuments of Renaissance Music VII) Chicago 1983
Bush 1940 Helen E. Bush, ‘The Laborde Chansonnier’, Papers of the American Musicological Society 1940 (1946), pp. 56-79
Carpentras 1972 Elzéar Genet (Carpentras), Opera omnia 1-5 (ed. A. Seay; Corpus mensurabilis musicae 58) AIM 1972
Chesney 1965 K. Chesney, More 'poèmes de transition'. Notes on the Rondeaux of a Taylorian Manuscript (Medium Aevi Monographs VIII) Oxford 1965
Christoffersen 1994 P. Woetmann Christoffersen, French Music in the Early Sixteenth Century. Studies in the music collection of a copyist of Lyons. The manuscript »Ny kgl. Samling 1848 2°« in the Royal Library, Copenhagen I-III. Copenhagen 1994
Christoffersen 2001 P. Woetmann Christoffersen, ‘Æslets skryden og sang gennem tårer. Billeder i musik i 1400-tallets populære og kunstfulde traditioner’, Musik & Forskning 26 (2001), pp. 97-134
Compere 1972 Loyset Compère (L. Finscher ed.), Opera omnia 1-5 (Corpus mensurabilis musicae 15) AIM 1958-1972.
Droz 1910 E. Droz et A. Piaget (eds.), Le Jardin de Plaisance et Fleur de Rhétorique. Reproduction en facsimile de l'édition publiée par Antoine Verard vers 1501. Paris 1910-24
Droz 1924 E. Droz et G. Thibault, Poètes et musiciens de xve siècle. Paris 1924.
Droz 1927 E. Droz, G. Thibault et Y. Rokseth, Trois Chansonniers Français du xve siècle. Paris 1927
Droz 1935 E. Droz (ed.), Le Recueil Trepperel. Paris 1935
Dufay 1966 Guillaume Dufay (ed. H. Besseler), Opera omnia VI: Cantiones (Corpus mensurabilis musicae 1) 1966
Dufay 1995 Guillaume Dufay (ed. H. Besseler, rev. D. Fallows), Opera omnia VI – Cantiones (Corpus mensurabilis musicae 1) 1995 [2006/2]
Dunstable 1953 John Dunstable (ed.: Manfred Bukofzer), Complete Works (Musica Britannica VII), London 1953
Fallows 1987 David Fallows, Dufay (The Master Musicians), London 1982 (2. rev. ed. 1987)
Fallows 1994 David Fallows, ‘Dunstable, Bedyngham and O rosa bellaThe Journal of Musicology 12 (1994), pp. 287-305
Fallows 1995 Davids Fallows, The Songs of Guillaume Dufay. Critical Commentary to the Revision of Corpus Mensurabilis Musicae, ser. 1, Vol. VI (Musicological studies & documents 47), Neuhausen-Stuttgart 1995
Fallows 1999 David Fallows, A Catalogue of Polyphonic Songs, 1415-1480. Oxford 1999
Fallows 1999b David Fallows, ‘‘Trained and immersed in all musical delights’: Towards a New Picture of Busnoys’ in Paula Higgins (ed.), Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music. Oxford 1999, pp. 21-50
Fétis 1869 François-Joseph Fétis, Histoire générale de la musique. Paris 1869-1876
Finscher & Dömling 1975 L. Finscher und W. Dömling (eds.), Der Mensuralkodex des Nikolaus Apel (Ms. 1494 der Universitätsbibliothek Leipzig) Teil III. (Das Erbe deutscher Musik, Bd. 34) Kassel 1975
Françon 1938 Marcel Françon (ed.), Poèmes de transition (xve-xvie siècles): Rondeaux du Ms 402 de Lille. Paris & Cam. Mass. 1938
Goldberg 1997 Clemens Goldberg, Das Chansonnier Laborde: Studien zur Intertextualität einer Liederhandschrift des 15. Jahrhunderts (Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart. Bd. 36) Frankfurt am Main 1997
Gutiérrez-Denhoff 1988 Martella Gutiérrez-Denhoff (ed.), Der Wolfenbütteler Chansonnier. Herzog August Bibliothek, Wolfenbüttel, Codex Guelf. 287 Extrav. (Musikalischer Denkmäler X), Mainz 1988
Hanen 1983 Martha K. Hanen, The Chansonnier El Escorial IV.a.24 (Nusicological Studies 36), Henryville 1983
Hayne 1977 Hayne van Ghizeghem ( ed. B. Hudson), Opera omnia (Corpus mensurabilis musicae 74) 1977.
Higgins 1991 Paula Higgins, ‘Parisian Nobles, a Scottish Princess, and the Woman’s Voice in Late Medieval Song’, Early Music History. Studies in medieval and early modern music 10 (1991) pp. 145-200
Jeppesen 1927 Knud Jeppesen (ed.), Der Kopenhagener Chansonnier. Copenhagen 1927 (21965 New York, with new remarks)
Lederer 1906 Victor Lederer, Über Heimat und Ursprung der mehrstimmigen Tonkunst. Leipzig 1906
Löpelmann 1927 M. Löpelmann (ed.), Die Liederhandschrift des Cardinals de Rohan (Gesellschaft für romanische Litteratur, Band 44) Göttingen 1923
Lowinsky 1945 Edward E. Lowinsky, ‘The Function of Conflicting Signatures in Early Polyphonic Music’, The Musical Quarterly 31 (1945) pp. 227-260
Lowinsky 1964 Edward E. Lowinsky, ‘Foreword’ in H. Colin Slim (ed.), Musica nova accommodata per cantar et sonar sopra organi; et altri strumenti, composta per diversi eccellentissimi musici. In Venetia, MDXL (Monuments of Renaissance Music I), Chicago 1964, pp. v-xxi
Maniates 1966 Maria R. Maniates, ‘Mannerist Composition in Franco-Flemish Polyphony’, The Musical Quarterly 1966, pp. 17-36
Maniates 1970 Maria R. Maniates, ‘Combinative Chansons in the Dijon Chansonnier’, Journal of the American Musicological Society 23 (1970), pp. 228-281
Maniates 1989 Maria R. Maniates (ed.), The Combinative Chanson: An Anthology (Recent Researches in the Music of the Renaissance 77), Madison 1989
Marx 1992 Hans Joachim Marx & Thomas Warburton (eds.), St. Galler Orgelbuch: Die Orgeltabulatur des Fridolin Sicher (St. Gallen, Codex 530). (Schwieizerische Musikdenkmäler 8), Winterthur 1992
McLeod 1969 Enid McLeod, Charles of Orleans. Prince and Poet. New York 1969
Meconi 1994 Honey Meconi, ‘Art-Song Reworkings: An Overview’ Journal of the Royal Musical Association 119 (1994), pp. 1-42
Morelot 1856 Stéphen Morelot, De la musique au XVe siècle: notice sur un manuscrit de musique ancienne de la bibliothèque de Dijon, Paris 1856.
Morton 1981 Robert Morton (ed. A.Atlas), The Collected Works (Masters and Monuments of the Renaissance 2) New York 1981
Obrecht 1983 J. Obrecht (ed. Chris Maas), New Obrecht Edition. Utrecht 1983-1999
Ockeghem 1992 J. Ockeghem (ed. Richard Wexler with Dragan Plamenac), Collected Works III: Motets and Chansons. Philadelphia (AMS) 1992
Orléans 1923 Charles d’Orléans (ed. Pierre Chanpion), Poèsies. Paris 1923-24
Perkins 1979 Leeman L. Perkins and H. Garey (eds.), The Mellon Chansonnier I-II. New Haven 1979
Perkins 1999 Leeman L. Perkins, ‘Conflicting Attributions and Anonymous Chansons in the ‘Busnoys’ Sources of the Fifteenth Century’ in Paula Higgins (ed.), Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music. Oxford 1999, pp. 317-358
Randel 1983 Don Michael Randel, ‘Dufay the Reader’ in Studies in the History of Music I: Music and Language, New York 1983, pp. 38-78
Schreurs 1997 Eugeem Schreurs, ‘New Findings on Music Fragments from Tongeren with Two Chansons by Ockeghem’ Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 47 (1997), pp. 119-138
Thibault 1927 G. Thibault et E. Droz, ‘Le chansonnier de la Bibliothèque Royale de Copenhague’, Revue de musicologie 8 (1927), pp. 12-35
Urquhart 1999 Peter W. Urquhart, ‘False Concords in Busnoys’ in Paula Higgins (ed.), Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music. Oxford 1999, pp. 361-387
Wallis 1929 N. Hardy Wallis (ed.), Anonymous French Verse: An Anthology af Fifteenth Century Poems from Manuscripts in the British Museum. London 1929
Wegman 1991 Rob C. Wegman, ‘Petrus de Domarto’s Missa Spiritus almus and the early history of the four-voice mass in the fifteenth century’, Early Music History. Studies in medieval and early modern music 10 (1991) pp. 235-303
Wegman 1999 Rob C. Wegman, ‘Mensural Intertextuality in the Sacred Music of Antoine Busnoys’ in Paula Higgins (ed.), Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music. Oxford 1999, pp. 175-214