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Bibliography

Books, articles and editions refered to on this site by abbreviations

D’Accone 1986 Frank A. D’Accone (ed.), Pavia, Biblioteca Universitaria, Aldini MS 362, (Renaissance Music in Facsimile 16), New York 1986
Agricola 1970 Alexander Agricola (E. Lerner, ed.), Opera omnia I-VI (Corpus mensurabilis musicae 22) 1961-1970
Alden 1999 Jane Alden, Makers of a Songbook: The Scribes of the Laborde Chansonnier (Ph.d.-diss., Univ. of North Carolina) 1999
Alden 2001 Jane Alden (ed.), Johannes Delahaye. Chansons in Loire Valley Sources. Paris 2001
Alden 2005a Jane Alden, ‘The Scribe’s Role in the Production of 15th-Century Chansonniers: New Perspectives’, Revue belge de Musicologie LIX (2005) pp. 43-64
Alden 2005b Jane Alden, ‘On the Aesthetics of 15th-Century Chansonniers’, Danish Yearbook of Musicology 33 (2005) pp. 17-30
Alden 2007 Jane Alden, ‘Reading the Loire Valley Chansonniers’, Acta Musicologica 79 (2007) pp. 1-32
Alden 2008 Jane Alden, ‘Excavating Chansonniers: Musical Archaeology and the Search for Popular Song’, The Journal of Musicology 25 (2008) pp. 46–87
Ameln 1972 Konrad Ameln (ed.), Lochamer-Liederbuch und Das Fundamentum organisandi von Conrad Paumann, Faksimile-Nachdruck, Kassel 1972
Atlas 1976 Allan W Atlas, The Cappella Giulia Chansonnier. Roma, Biblioteca Apostolica Vaticana, C.G.XIII.27 (Musicological Studies Vol. XXVII/1-2), New York 1975-76
Bancel 1875 E.M. Bancel, Cent quarante-cinq rondeaux d'amours publiés d'aprés un manuscrit autographe de la fin du XVe siècle. Paris s.d. [1875]
Barbireau 1954 Jean Barbireau (Bernhard Meier, ed.), Opera Omnia I-II (Corpus mensurabilis musicae 7), AIM 1954-1957
Barret 1981 Charles Edward Barret: A Critical Edition af the Dijon Chansonnier: Dijon, Bibliothèque de la Ville, Ms. 517 (unpublished Ph.D. diss., George Peabody College for Teachers of Vanderbilt University) 1981
Baxter 1931 J.H. Baxter (ed.), An Old St. Andrews Music Book (Cod. Helmst. 628). Published in Facsimile, London 1931
Bent 1972 Margaret Bent, ‘Musica Recta and Musica Ficta’, Musica Discplina 26 (1972), pp. 73-100
Bent 2001 Margaret Bent, ‘On False Concords in Late Fifteenth-Century Music: Yet Another Look at Tinctoris’ in A.-E. Ceulemans & B. J. Blackburn (eds.), Théorie et analyse musicales 1450-1650. Louvain-la-Neuve 2001, pp. 65-118
Bent 2002 Margaret Bent, Counterpoint, Composition, and Musica Ficta, New York 2002
Bent 2008 Bologna Q15. The Making and Remaking of a Musical Manuscript. Introductory Study and Facsimile Edition by Margaret Bent, Lucca 2008
Benthem 1997 Jaap van Benthem, ‘‘Prenez sur moy vostre exemple’. Signae, text and cadences in Ockeghem’s Prenez sur moy and Missa Cuiusvis toni’, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 47 (1997), pp. 99118
Benthem 2001 Jaap van Benthem, ‘La magie des cris trenchanz : Comment le vray trésorier de musique échappe à la trappe du très terrible satrappe’ in Anne-Emmanuelle Ceulemans & Bonnie J. Blackburn (eds.), Théorie et analyse musicales 1450-1650. Actes du colloque international Louvain-la-Neuve, 23-25 septembre 1999. Louvain-la-Neuve 2001, pp. 119-147
Berger 1987 Karol Berger, Musica ficta. Theories of Accidental Inflections in Vocal Polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge 1987
Berger 1993 Anna Maria Busse Berger, Mensuration and Proportion Signs. Origins and Evolution. Oxford 1993
Binchois 1957 Gilles Binchois (Wolfgang Rehm, ed.), Die Chansons von Gilles Binchois (1400-1460) (Musikalische Denkmäler II), Mainz 1957
Binchois 1992 Gilles Binchois (Philip Kaye, ed.), The sacred music of Gilles Binchois, Oxford 1992
Blachly 1999 Alexander Blachly, ‘Reading Tinctoris for Guidance of Tempo’ in Paula Higgins (ed.), Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music. Oxford 1999, pp. 399-427
Bockholdt 1971 R. Bockholdt, ‘Französische und niederländische Musik des 14. und 15. Jahrhunderts’ in T.G. Georgiades (ed.), Musikalische Edition im Wandel des historischen Bewusstseins, Kassel 1971, pp. 149-173
Brown 1963 Howard Mayer Brown, Music in the French Secular Theater. 1400-1550. Cam. Mass. 1963
Brown 1983 Howard Mayer Brown, A Florentine Chansonnier from the Time of Lorenzo the Magnificient. Florence, Biblioteca Nazionale Centrale MS Banco Rari 229 (Monuments of Renaissance Music VII) Chicago 1983
Bush 1940 Helen E. Bush, ‘The Laborde Chansonnier’, Papers of the American Musicological Society 1940 (1946), pp. 56-79
Carpentras 1972 Elzéar Genet (Carpentras), Opera omnia 1-5 (ed. A. Seay; Corpus mensurabilis musicae 58) AIM 1972
Chesney 1965 K. Chesney, More 'poèmes de transition'. Notes on the Rondeaux of a Taylorian Manuscript (Medium Aevi Monographs VIII) Oxford 1965
Christoffersen 1994 P. Woetmann Christoffersen, French Music in the Early Sixteenth Century. Studies in the music collection of a copyist of Lyons. The manuscript Ny kgl. Samling 1848 2° in the Royal Library, Copenhagen I-III. Copenhagen 1994
Christoffersen 2001 P. Woetmann Christoffersen, ‘Æslets skryden og sang gennem tårer. Billeder i musik i 1400-tallets populære og kunstfulde traditioner’, Musik & Forskning 26 (2001), pp. 97-134
Compere 1972 Loyset Compère (L. Finscher ed.), Opera omnia 1-5 (Corpus mensurabilis musicae 15) AIM 1958-1972.
Dahlhaus 1960 Carl Dahlhaus, ‘Ockeghems »Fuga trium vocum«’, Die Musikforschung 13 (1960), pp. 307-310
Dahlhaus 1964 Carl Dahlhaus, ‘Zu einer Chanson von Binchois’, Die Musikforschung 17 (1964), pp. 398-399
Dean 1996 Jeffrey Dean, ‘Okeghem’s attitude towards modality: Three-mode and eight-mode typologies’, in Ursula Günther, Ludwig Finscher, and Jeffrey Dean (eds.), Modality in the music of the fourteenth and fifteenth centuries. Modalität in der Musik des 14. und 15. Jahrhunderts (Musicological studies & documents, 49), Neuhausen-Stuttgart 1996, 203–246
Droz 1910 E. Droz et A. Piaget (eds.), Le Jardin de Plaisance et Fleur de Rhétorique. Reproduction en facsimile de l'édition publiée par Antoine Verard vers 1501. Paris 1910-24
Droz 1924 E. Droz et G. Thibault, Poètes et musiciens de xve siècle. Paris 1924.
Droz 1927 E. Droz, G. Thibault et Y. Rokseth, Trois Chansonniers Français du xve siècle. Paris 1927
Droz 1935 E. Droz (ed.), Le Recueil Trepperel. Paris 1935
Dufay 1966 Guillaume Dufay (ed. H. Besseler), Opera omnia VI: Cantiones (Corpus mensurabilis musicae 1) 1966
Dufay 1995 Guillaume Dufay (ed. H. Besseler, rev. D. Fallows), Opera omnia VI – Cantiones (Corpus mensurabilis musicae 1) 1995 [2006/2]
Dunstable 1953 John Dunstable (ed.: Manfred Bukofzer), Complete Works (Musica Britannica VII), London 1953
Fallows 1987 David Fallows, Dufay (The Master Musicians), London 1982 (2. rev. ed. 1987)
Fallows 1992 David Fallows, ‘Prenez sur moy: Ockeghem’s tonal pun’, Plainsong and Medieval Music 1 (1992), pp. 63-75
Fallows 1994 David Fallows, ‘Dunstable, Bedyngham and O rosa bellaThe Journal of Musicology 12 (1994), pp. 287-305
Fallows 1995 Davids Fallows, The Songs of Guillaume Dufay. Critical Commentary to the Revision of Corpus Mensurabilis Musicae, ser. 1, Vol. VI (Musicological studies & documents 47), Neuhausen-Stuttgart 1995
Fallows 1995a David Fallows (ed.), Oxford, Bodleian Library, MS. Canon. Misc. 213. With an Introduction and Inventory. Chicago 1995
Fallows 1999 David Fallows, A Catalogue of Polyphonic Songs, 1415-1480. Oxford 1999
Fallows 1999b David Fallows, ‘‘Trained and immersed in all musical delights’: Towards a New Picture of Busnoys’ in Paula Higgins (ed.), Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music. Oxford 1999, pp. 21-50
Fallows 2000 David Fallows, ‘Binchois and the Poets’, in Andrew Kirkman & Dennis Slavin (eds.), Binchois Studies. Oxford 2000
Fétis 1869 François-Joseph Fétis, Histoire générale de la musique. Paris 1869-1876
Finscher & Dömling 1975 L. Finscher und W. Dömling (eds.), Der Mensuralkodex des Nikolaus Apel (Ms. 1494 der Universitätsbibliothek Leipzig) Teil III. (Das Erbe deutscher Musik, Bd. 34) Kassel 1975
Fitch 2001 Fabrice Fitch, ‘Restoring Ockeghem’s Mort, tu as navré’, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 51 (2001), pp. 3-24
Françon 1938 Marcel Françon (ed.), Poèmes de transition (xve-xvie siècles): Rondeaux du Ms 402 de Lille. Paris & Cam. Mass. 1938
Frye 1960 Walter Frye (ed. Sylvia W. Kenney), Collected Works (Corpus mensurabilis musicae 19), AIM 1960
Goldberg 1997 Clemens Goldberg, Das Chansonnier Laborde: Studien zur Intertextualität einer Liederhandschrift des 15. Jahrhunderts (Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart. Bd. 36) Frankfurt am Main 1997
Gutiérrez-Denhoff 1988 Martella Gutiérrez-Denhoff (ed.), Der Wolfenbütteler Chansonnier. Herzog August Bibliothek, Wolfenbüttel, Codex Guelf. 287 Extrav. (Musikalischer Denkmäler X), Mainz 1988
Hanen 1983 Martha K. Hanen, The Chansonnier El Escorial IV.a.24 (Nusicological Studies 36), Henryville 1983
Hayne 1977 Hayne van Ghizeghem ( ed. B. Hudson), Opera omnia (Corpus mensurabilis musicae 74) 1977.
Higgins 1984 Paula Higgins (ed.), Chansonnier Nivelle de la Chaussée (Bibliothèque Nationale, Paris, Rés. Vmc. ms. 57, ca. 1460), Genève 1984
Higgins 1987 Paula Higgins, Antoine Busnois and Musical Culture in Late Fifteenth-Century France and Burgundy (Diss. Princeton) 1987
Higgins 1991 Paula Higgins, ‘Parisian Nobles, a Scottish Princess, and the Woman’s Voice in Late Medieval Song’, Early Music History. Studies in medieval and early modern music 10 (1991) pp. 145-200
Isaac 1907 Heinrich Isaac (J. Wolf ed.), Weltliche Werke (Denkmäler der Tonkunst in Osterreich 28,) Wien 1907
Jeppesen 1927 Knud Jeppesen (ed.), Der Kopenhagener Chansonnier. Copenhagen 1927 (21965 New York, with new remarks)
Jeppesen 1968 Knud Jeppesen, La Frottola I-III. Copenhagen 1968-70
Kemp 1990 Walter H. Kemp, Burgundian Court Song in the Time of Binchois. The Anonymous Chansons of El Escorial, MS V.III.24. Oxford 1990
Lederer 1906 Victor Lederer, Über Heimat und Ursprung der mehrstimmigen Tonkunst. Leipzig 1906
Levitan 1937 Joseph S. Levitan, ‘Ockeghem’s Clefless Compositions’, The Musical Quarterly 23 (1937), pp. 440-464
Löpelmann 1927 M. Löpelmann (ed.), Die Liederhandschrift des Cardinals de Rohan (Gesellschaft für romanische Litteratur, Band 44) Göttingen 1923
Lowinsky 1945 Edward E. Lowinsky, ‘The Function of Conflicting Signatures in Early Polyphonic Music’, The Musical Quarterly 31 (1945) pp. 227-260
Lowinsky 1964 Edward E. Lowinsky, ‘Foreword’ in H. Colin Slim (ed.), Musica nova accommodata per cantar et sonar sopra organi; et altri strumenti, composta per diversi eccellentissimi musici. In Venetia, MDXL (Monuments of Renaissance Music I), Chicago 1964, pp. v-xxi
Lowinsky 1968 E.E. Lowinsky (ed.), The Medici Codex of 1518 I-III, (Monuments of Renaissance Music III-V), Chicago 1968
Maniates 1966 Maria R. Maniates, ‘Mannerist Composition in Franco-Flemish Polyphony’, The Musical Quarterly 1966, pp. 17-36
Maniates 1970 Maria R. Maniates, ‘Combinative Chansons in the Dijon Chansonnier’, Journal of the American Musicological Society 23 (1970), pp. 228-281
Maniates 1989 Maria R. Maniates (ed.), The Combinative Chanson: An Anthology (Recent Researches in the Music of the Renaissance 77), Madison 1989
Marx 1992 Hans Joachim Marx & Thomas Warburton (eds.), St. Galler Orgelbuch: Die Orgeltabulatur des Fridolin Sicher (St. Gallen, Codex 530). (Schwieizerische Musikdenkmäler 8), Winterthur 1992
McLeod 1969 Enid McLeod, Charles of Orleans. Prince and Poet. New York 1969
Meconi 1994 Honey Meconi, ‘Art-Song Reworkings: An Overview’ Journal of the Royal Musical Association 119 (1994), pp. 1-42
Mengozzi 2008 Stefano Mengozzi, ‘‘Clefless’ notation, counterpoint and the fa-degree’, Early Music 36 (2008), pp. 51-64
Morelot 1856 Stéphen Morelot, De la musique au XVe siècle: notice sur un manuscrit de musique ancienne de la bibliothèque de Dijon, Paris 1856.
Morton 1981 Robert Morton (ed. A. Atlas), The Collected Works (Masters and Monuments of the Renaissance 2) New York 1981
Obrecht 1983 J. Obrecht (ed. Chris Maas), New Obrecht Edition. Utrecht 1983-1999
Ockeghem 1992 J. Ockeghem (ed. Richard Wexler with Dragan Plamenac), Collected Works III: Motets and Chansons. Philadelphia (AMS) 1992
Ockeghem 1996a Johannes Ockeghem (ed. Jaap van Benthem), Missa Cuiusvis toni upon re and mi (Masses and Mass Sections, fascicle III,3), Utrecht 1996
Ockeghem 1996b Johannes Ockeghem (ed. Jaap ven Benthem), Missa Cuiusvis toni upon fa-ut. Missa Prolacionum (Masses and Mass Sections, fascicle III,4), Utrecht 1996
Orléans 1923 Charles d’Orléans (ed. Pierre Chanpion), Poèsies. Paris 1923-24
Perkins 1979 Leeman L. Perkins and H. Garey (eds.), The Mellon Chansonnier I-II. New Haven 1979
Perkins 1979 Leeman L. Perkins, ‘Antoine Busnois and the d'Hacqueville Connection’ in M.B. Winn (ed.), Musique naturelle et musique artificielle. In Memoriam Gustav Reese (Le moyen français 5). Montreal 1979, pp. 49-64
Perkins 1996 Leeman L. Perkins, ‘Modal species and mixtures in a fifteenth-century chanson repertory’ in Ursula Günther, Ludwig Finscher, and Jeffrey Dean (eds.), Modality in the music of the fourteenth and fifteenth centuries. Modalität in der Musik des 14. und 15. Jahrhunderts (Musicological studies & documents 49) Neuhausen-Stuttgart 1996, pp. 177-201
Perkins 1999 Leeman L. Perkins, ‘Conflicting Attributions and Anonymous Chansons in the ‘Busnoys’ Sources of the Fifteenth Century’ in Paula Higgins (ed.), Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music. Oxford 1999, pp. 317-358
Petzh 1974 C. Petzch, ‘Fragment mit acht dreistimmigen Chansons, darunter Lochamer Liederbuch Nr. 18’, Die Musikforschung 22 (1974), pp. 319-322
Randel 1983 Don Michael Randel, ‘Dufay the Reader’ in Studies in the History of Music I: Music and Language, New York 1983, pp. 38-78
Reese 1968 G. Reese, ‘Musical compositions in Renaissance intarsia’ in John L. Lievsay (ed.), Medieval and Renaissance Studies (Medieval and Renaissance Series, nr 2) Durham 1968, pp. 74-97
Rehm 1958 Codex Escorial: Chansonnier. Biblioteca del Monasterio El Escorial, Signatur: Ms V.III.24, hrsg. und mit einem Nachwort versehen von Wolfgang Rehm, (Documenta musicologica ii/2) Kassel 1958
RISM BIV/3 Kurt von Fischer (ed.), Répertoire International des Sources Musicales. Handschriften mit mehrstimmiger Musik des 14., 15. und 16. Jahrhunderts I, (RISM BIV/3) München-Duisburg 1972
Schavran 1978 Henrietta Schavran, The Manuscript Pavia, Biblioteca Universitaria, Codice Aldini 362: A Study of Song Tradition in Italy circa 1440-1480. Ph.D. dissertation, New York University 1978, 2 vols
Schoop 1971 H. Schoop, Entstehung und Verwendung der Handschrift Oxford Bodleian Library, Canonici misc. 213, (Publ. der Schweirischen Musikforschenden Gesellschaft, Ser. II, Vol. 34) Bern 1971
Schreurs 1997 Eugeem Schreurs, ‘New Findings on Music Fragments from Tongeren with Two Chansons by Ockeghem’ Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 47 (1997), pp. 119-138
Slavin 1989 Dennis Slavin, ‘Genre, Final and Range: Unique Sorting Procedures in a Fifteenth-Century Chansonnier’, Musica Disciplina 43 (1989), pp. 115-139
Slavin 1990 Dennis Slavin, ‘On the Origins of Escorial IV.a.24 (EscB)’, Studi musicali 19 (1990), pp. 259–303
Slavin 1992 Dennis Slavin, ‘Questions of Authority in Some Songs by Binchois’, Journal of the Royal Musical Association 117 (1992), pp. 22-61
Stäblein 1975 Bruno Stäblein, Schriftbild der einstimmigen Musik, (Musikgeschichte in Bildern III.4) Leipzig 1975
Thibault & Fallows 1991 G. Thibault & D. Fallows (eds.), Chansonnier de Jean de Montchenu (Bibliothèque nationale, Rothschild 2973 [I.5.13]). Paris 1991
Thibault 1927 G. Thibault et E. Droz, ‘Le chansonnier de la Bibliothèque Royale de Copenhague’, Revue de musicologie 8 (1927), pp. 12-35
Urquhart 1996 Peter Urquhart, ‘Three Sample Problems of Editorial Accidentals in Chansons by Busnoys and Ockeghem’ in J.A. Owens & A. Cummings (eds.), Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, Warren, MI 1996, pp. 465-481
Urquhart 1997 Peter Urquhart, ‘Calculated to Please the Ear: Ockeghem’s Canonic Legacy’, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 47 (1997), pp. 72-98
Urquhart 1999 Peter W. Urquhart, ‘False Concords in Busnoys’ in Paula Higgins (ed.), Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music. Oxford 1999, pp. 361-387
Urquhart 2004 Peter Urquhart, ‘Another Impolitic Observation on Absalon, fili mi’, The Journal of Musicology 21 (2004), pp. 343-380
Wackernagel 1978 Bettina Wackernagel (ed.), Das Liederbuch des Dr. Hartmann Schedel. Faksimile. (Das Erbe deutscher Musik 84) Kassel 1978
Wallis 1929 N. Hardy Wallis (ed.), Anonymous French Verse: An Anthology af Fifteenth Century Poems from Manuscripts in the British Museum. London 1929
Wegman 1991 Rob C. Wegman, ‘Petrus de Domarto’s Missa Spiritus almus and the early history of the four-voice mass in the fifteenth century’, Early Music History. Studies in medieval and early modern music 10 (1991) pp. 235-303
Wegman 1999 Rob C. Wegman, ‘Mensural Intertextuality in the Sacred Music of Antoine Busnoys’ in Paula Higgins (ed.), Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music. Oxford 1999, pp. 175-214
Woodley 1988 Ronald Woodley, ‘Tinctoris’s Italian Translation of the Golden Fleece Statutes: A Text and a (possible) Context’, Early Music History 8 (1988), 173-244